Skip to main content
Pipa Pescatore (Pipa the Fisherman)
Pipa Pescatore (Pipa the Fisherman)

Pipa Pescatore (Pipa the Fisherman)

Object NameVase
Artist Antoni Clavé (Spanish, 1913-2005)
Assistant Egidio Costantini (Italian, 1912-2007)
Studio Fucina degli Angeli
Made FromGlass
Dateabout 1957
Place MadeItaly, Venice, Murano
TechniqueBlown, applied
SizeOverall H: about 41 cm, W: 37.2 cm; Body Diam (including decoration): 35.6 cm
Accession Number2013.3.5
Credit LineGift of Donna and Neil Weisman
Curatorial Area(s)
On ViewModern Gallery
Interpretive Notes
With the encouragement and support of the American avantgarde art collector and gallerist Peggy Guggenheim (1898–1979), Egidio Costantini founded the Fucina degli Angeli (Forge of the angels), a center for glass studies, on the island of Murano in the early 1950s. The aim of the Fucina was to promote collaboration between contemporary artists and glassmakers by inviting artists to work with Venetian maestri. Guggenheim introduced Costantini to a coterie of elite artists, including Pablo Picasso, Max Ernst, and Hans Arp. The Fucina flourished with the help of these and many other internationally known artists, including Antoni Clavé, who traveled to Venice for its prestigious Biennale. A celebrated Catalan painter, printmaker, and sculptor, Clavé was also respected for his stage and costume design. Best known for his works that combine paint with collage, Clavé was influenced by Post-Impressionist French painters—such as Pierre Bonnard, Edouard Vuillard, and other members of the group known as Les Nabis (The prophets)—as well as Pablo Picasso and Georges Rouault. Born in Barcelona, Clavé fled to France after the Spanish Civil War, settling in Paris in 1939. In 1956, he won an award at the Venice Biennale. It is likely that Clavé became acquainted with Costantini at this time and was invited to try his hand at glass design. In 1965, Clavé moved to the south of France, near Saint-Tropez, where he spent the rest of his career. Unsigned. Published: Marino Barovier, Venetian Art Glass: An American Collection, 1840–1970, Stuttgart: Arnoldsche, 2004, p. 332; and Egidio Costantini: Il maestro dei maestri, Brussels: Espace Medicis, 1990, p. 205. See also José Francisco Yvars Castelló and Antoni Clavé, Antoni Clavé: Un mondo de arte, obras 1934–2002, Madrid: Turner, 2010.
Physical DescriptionVase, "Pipa Pescatore (Pipa the Fisherman)". Transparent red, white, blue, colorless with bluish tint, and black glass (the black glass is a type known as pasta vitrea); blown, applied. Simple flask-shaped vase with spherical body tapering into a short neck and flared rimless mouth. Flat round base. Two hot-applied colorless asymmetrical handles with bluish tint; one handle decorated with blue glass stripes, and one handle decorated with blue glass dots. On the body, hot-applied trails and globs of red, black, and white glass form an abstract face composed of two eyes, an eyebrow and nose. Trails of white glass ornament the bottom of the vase, perhaps resembling teeth with a red applied tongue or lips in center.
Provenance
Source Donna Weisman - 1996-2013-05-29
Source Neil Weisman - 1996-2013-05-29
Former Collection Mario Meyer - 1996
Former Collection Odetto Lastra - 1996
Object copyright© Antoni Clave
vase
Flavio Poli
about 1930-1932
sculpture
Richard Marquis
1998
Black Cylinder #3
Dale Chihuly
2006
vase
Émile Gallé
1870-1885
vase
Alessandro Moretti
1975
vase
about 1310-1330