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sculpture

Object Name2 Sculptures
Series
  • Glass Microbiology
Artist Luke Jerram (British, b. 1974)
Assistant Brian Jones (British, b. 1955)
Assistant Norman Veitch (British, b. 1947)
Made FromBorosilicate Glass, Adhesive
Date2010
TechniqueBlown, acid-etched, flameworked, assembled
SizeSmallpox Virus H: 25.7 cm, Diam: 17.5 cm; HIV (Human Immunodeficiency Virus) H: 17.5 cm, Diam: 18 cm
Accession Number2010.2.46
Credit Line25th Rakow Commission, purchased with funds from the Juliette K. and Leonard S. Rakow Endowment Fund
Curatorial Area(s)
Interpretive Notes
Luke Jerram describes himself as a “color-blind installation artist, who fuses his artistic practice with scientific and perceptual studies.” He creates sculptures, installations, soundscapes, and public art projects that investigate how the mind works, particularly in connection with perception and reality. Jerram’s approach to artmaking is multidisciplinary, and he uses whatever materials are most appropriate to realize his ideas. His work is inspired by his research in the fields of biology, acoustic science, music, sleep research, ecology, and neuroscience. His projects, which have garnered much media exposure, range from placing upright pianos in outdoor locations in cities around the world for the public to make music (“Play Me, I’m Yours”) to studying the effect of sound on dreams (“Dream Director”) to creating a wind pavilion (“Aeolus’). The Museum’s 25th Rakow Commission by Jerram makes reference to art history and to science, two fields of inquiry—in connection with glass—that have constituted the intellectual core of the operations of the museum since its opening in 1951. For the Commission, Jerram created two flameworked and blown glass sculptures, Smallpox Virus and HIV, from his “Glass Microbiology” series. In this series, he explores the tension between the beauty of his glass sculptures, the deadly viruses that they represent, and the global impact caused by these diseases. “The Smallpox Virus celebrates the 30th anniversary of the global eradication of this major disease,” Jerram says. “And the HIV represents humanity’s current worldwide struggle.” For the “Glass Microbiology” project, Jerram worked with virologist Andrew Davidson to research the physical structures of the viruses, taking inspiration from high-resolution electron microscopic images and scientific models. With the help of scientific glassblowers, he created scientifically accurate depictions of notorious viruses and bacteria such as HIV, E. coli, SARS, and recently, H1N1. The sculptures are approximately one million times larger than the actual viruses.
Place Made
United Kingdom, England, Bristol
Physical Description(A) Colorless Borosilicate glass; blown, acid-etched, flameworked, assembled. Hollow blown ovoid shape encasing hourglass shape acid-etched to produce matte finish. Colorless glass pieces adhered to exterior of ovoid shape. (B) Colorless Borosilicate glass; blown, acid-etched, tooled, flameworked, assembled. Hollow blown sphere encasing ovoid shape acid-etched to produce matte finish. Colorless glass pieces adhered to exterior of sphere.
Provenance
Provenance information not currently available online. Please check back in the coming weeks.
Object copyright© Luke Jerram
pitcher
J. & J. Northwood
1870-1880
vase
Cristallerie de Pantin
about 1900-1910
goblet
Steuben Glass, Inc.
about 1930
sculpture
Luke Jerram
2010
Faust Pokal
Karl Friedrich Schinkel
about 1820
miniature
Daum Freres
1900-1915