Glass Chair
Object NameChair
Designer
Shiro Kuramata
(Japanese, 1934-1991)
Manufacturer
Mihoya Glass Company Ltd.
Made FromFloat Glass, Photobond 100 adhesive
Date1976
Place MadeJapan, Tokyo
TechniqueCut, assembled
SizeOverall H: 88 cm, W: 90 cm, D: 60 cm
Accession Number2014.6.19
Curatorial Area(s)
On ViewBen W. Heineman Sr. Family Gallery of Contemporary Glass.
Interpretive NotesShiro Kuramata’s iconic Glass Chair is one of the most influential furniture designs of the 20th century. A breakthrough concept, and one that is profoundly true to its material, Glass Chair set a precedent for the direction of design in glass, in which the simplicity, transparency, and seeming weightlessness of the material are emphasized.
Born in Tokyo, Kuramata studied architecture and interior design. In 1965, he established his own design practice in Tokyo. As an interior designer, he designed more than 300 bars and restaurants. Kuramata’s approach to designing objects reflects the atmosphere of innovation in postwar Japan. By 1970, Kuramata had introduced alternative materials, such as acrylic and glass, into his furniture, which explored ideas of materiality and form.
A functional piece of furniture, Glass Chair consists of sheets of glass bonded on their edges, with no screws or mounts, using a revolutionary ultraviolet adhesive that had just become available. Its design was partly inspired by the 1968 film 2001: A Space Odyssey by Stanley Kubrick (American, 1928–1999), which Kuramata had watched and enjoyed. However, Kuramata was disappointed that, although the sets looked “futuristic,” Kubrick’s choices in furniture did not.* Kuramata’s solution was this minimalist armchair, stripped down to its essential elements, which appears to be both visible and invisible.
The chair has a certificate of authenticity from the Kuramata Design Office, signed by Mieko Kuramata.
Published: Deyan Sudjic, Shiro Kuramata, London and New York: Phaidon, 2013, cover, pp. 86, 93–94, 211, and 297, no. 184; Hara Museum of Contemporary Art, Shiro Kuramata, 1934–1991, Tokyo: the museum, 1996, fig. 3; and Shiro Kuramata and Arata Isozaki, The Works of Shiro Kuramata, 1967–1981, Tokyo: Paruko Shuppan, 1988.
Edition 34 of 40
*Deyan Sudjic, Shiro Kuramata, London and New York: Phaidon, 2013; “How Shiro Kuramata Was Inspired by Kubrick’s 2001,” Phaidon, www.phaidon.com/agenda/design/articles/2013/december/03/how-shiro-kuramata-was-inspired-by-kubricks-2001/ (accessed January 1, 2015).
Provenance
Source
Friedman Benda LLC
- 2014-08-14
Object copyright© Shiro Kuramata
25 BCE-99 CE
25 BCE-99 CE