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Evening

Object NameSculpture
Artist Cerith Wyn Evans (British, b. Wales, 1958)
Manufacturer Vetreria Artistica Galluano Ferro
Made FromGlass, Flat Screen Monitor, Morse Code Unit and Computer
Date2008-2013
Place MadeUnited Kingdom, London
TechniqueBlown, assembled
SizeChandelier H: 85 cm, Diam (max): 130 cm
Accession Number2013.2.2
Curatorial Area(s)
Exhibitions
Visibleinvisible
CA+D Reopening 2020
I'Erotisme (Eroticism)
Not On View
Interpretive Notes
Symbols of luxury, fantasy, and grandeur, the altered chandeliers of Cerith Wyn Evans create a theatrical sense of occasion. Evening consists of a traditional chandelier made by the well-known Muranese manufacturer Galliano Ferro. A computer program causes the chandelier’s lights to flash in Morse code, spelling out on the video monitor the text of the 1916 poem “Evening” by Hilda Doolittle (American, 1886–1961), better known by her initials, “H.D.” Doolittle’s poem describes the silent, slow fall of night. Thus, the sculpture is a light source and a commentary on light that is communicated with light. Wyn Evans is a conceptual artist who was born in Wales and now lives and works in London. He began his career as a maker of videos and films, later shifting his focus to sculpture and installation art. He combines and re-presents recognizable objects, texts, and images to create multiple new, open-ended meanings. Most of his work draws upon his interest in language, perception, and communication; and his sculptures and installations are often developed from the context of their exhibition sites or history. This sculpture has had several titles since it was first made in 2008 because Wyn Evans changes the titles to make his chandeliers— and their messages—site-specific. For the Museum, he chose a text in English by an American poet. Evening was first exhibited in Spain in 2008, when it was titled Luces de Bohemia (Bohemian lights), using a Spanish text by Ramón María del Valle-Inclán (1866–1936). The sculpture was subsequently exhibited in France in 2013 as L’Erotisme (Eroticism), using a French text by Georges Bataille (1897–1962). Unsigned. Unpublished. For more information on the artist, see Hans Ulrich Obrist and Cerith Wyn Evans, Hans Ulrich Obrist & Cerith Wyn Evans, The Conversation Series, Book 24, Cologne: Walther König, 2011; and Cerith Wyn Evans: In Which Something Happens All Over Again for the Very First Time, Paris: Paris Musées, and Munich: Städtische Galerie im Lenbachhaus und Kunstbau, 2006.
Physical DescriptionSculpture, "Evening". Colorless glass chandelier with metal mounts; flat screen monitor, Morse code unit and computer; blown glass, assembled. Multi-part blown and assembled traditional-style chandelier made of colorless glass, double tiered (the lower tier with 12 arms, the higher tier with 5 arms). A computer program causes the chandelier's lights to blink in Morse code, spelling out onto the video monitor the text of the poem, "Evening," by Hilda Doolittle (American, 1886-1961), better known by her initals, "HD."

The text of the poem is as follows:

"Evening"

The light passes
from ridge to ridge,
from flower to flower—
the hepaticas, wide-spread
under the light
grow faint—
the petals reach inward,
the blue tips bend
toward the bluer heart
and the flowers are lost.

The cornel-buds are still white,
but shadows dart
from the cornel-roots—
black creeps from root-to-root,
each leaf
cuts another leaf on the grass,
shadow seeks shadow,
then both leaf
and leaf-shadow are lost.

From the collection "Sea Garden," published in 1916. Source: Louis L. Martz (ed.), H.D., Collected Poems 1912-1944, New York: New Directions Publishing Corp., 1983, p. 18-19.
Provenance
Source White Cube - 2013-09-02
Object copyright© Cerith Wyn Evans
Luigi Moretti
1888-1894
fragment
99 BCE-99 CE
beaker
about 1730-1750
bead
1700-1800