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Vaso Cielo
Vaso Cielo

Vaso Cielo

Object NameVase
Series
  • La Ragnatela
Artist Giampaolo Seguso (Italian, 1942 - 2023)
Studio Seguso Viro
Made FromGlass
Date2001
Place MadeItaly, Venice, Murano
TechniqueBlown, filigrana, murrine technique
SizeOverall H: 39 cm, W: 21 cm, D: 12.3 cm
Accession Number2009.3.40
Credit LineGift of Vernon and Shirley Hill
Curatorial Area(s)
Exhibitions
La Ragnatela/The Spiderweb: Works by Giampaolo Seguso from the Corning Museum of Glass
Not On View
Interpretive Notes
Giampaolo Seguso began his career in glass by working in the studio of his father, the widely respected maestro Archimede Seguso. Archimede, who designed and made work for his own glasshouse, Seguso Vetri d’Arte, is a well-known name in 20thcentury Italian glass. Giampaolo worked with him for nearly 30 years, learning the historical culture of glassmaking along with his father’s exceptional techniques. He founded his own glassworks, Seguso Viro, in 1993. The series “La Ragnatela” is the second part of a three-part project that Seguso calls “La Galleria dei 99.” Each part of the project has its own theme inspired by the history of Murano, its glass, and its decorative techniques. The project is documented in books that illustrate the 33 glass objects of each series, which is limited to 99 editions. The first part of Seguso’s project explored the technique that is known as incalmo. In this process, two identical bubbles of glass—most often of different colors—are joined together on the blowpipe. The second part, “La Ragnatela,” examines the techniques of filigrana (“filigree” glass decorated with white or colored canes) and murrine. The word ragnatela (spider web) refers to the long, thin lines and complex patterns of Seguso’s filigrana vases. The third and final part of the series, “I Sogni” (Dreams), will explore the topic of creativity within tradition. Signed: “GPaulo Seguso/Murano1996” and edition number on base. The series is published in Rosa Barovier Mentasti, La Galleria dei 99: La Ragnatela, [Italy]: NOS, 2001.
Physical DescriptionColorless, transparent green, cobalt blue, light blue and opaque white glass; blown, filigrana and murrine technique. Large flattened ovoid vase narrowing slightly to neck. Decorated overall with intersecting white filigrana canes. A portion of the vase is pale blue with a large green spot and the other part is colorless with a large blue spot.
Provenance
Source Vernon Hill - 2009-08-05
Source Shirley Hill - 2009-08-05
Transcendence
Karina Malling
2016
bead
475-221 BCE
flask
200-299
beaker
probably 1600-1650